Wednesday, September 10, 2025

“Convention ‘72” by the Delegates (1972, #8)

One writer’s view:  “Although to the record’s credit it does sample (a term that was not in use in 1972) a couple of good songs by groups such as the Bee Gees, Three Dog Night, and the O’Jays, most of the sampled music is [as] bad as the premise behind the song itself...” – Dr. Rick Simmons @ REBEAT

The public’s view2.61 / 5.00

Welcome to the great American shitshow known as a presidential election.  While all elections are painful ordeals for the citizenry, 1972 was one of the worst because voters that year didn’t really have a choice.  The Democratic candidate George McGovern was known for lunatic left-wing positions such as opposing the Vietnam War, favoring the decriminalization of marijuana, and supporting a woman’s right to make her own reproductive decisions (as long as she doesn’t defy the whims of her state legislators).  Due to McGovern’s extreme views, the Republican ticket of Richard Nixon and Spiro Agnew was the only viable option.  The lopsided outcome was evident well in advance, and most Americans tuned out by September.  But just a few weeks before Election Day, the Delegates’ “Convention ‘72” hit the airwaves and everyone was forced to pay attention again.  A weary people emitted a tremendous national groan.

“Convention ‘72” is a political version of the comedic “break-in” records that had been pioneered by Dickie Goodman and Bill Buchanan in the 1950s.  As an amateur humor writer, I am sympathetic to the difficulties that the Delegates faced when trying to produce a funny novelty song.  I’ve spent dozens of hours meticulously crafting jokes that I later discarded after realizing that they were never as hilarious as I first thought.  (You’ve seen the material that I’ve kept, so you can imagine how awful the throw-away stuff was.)  Plus, some of my best ideas can’t be made to work in the places where I need them.  For my post about Bobby Vinton’s Bad Top Ten Hit, I wrote an extended joke involving the Millennium Falcon from Star Wars.  It was witty and brilliant, and you would have loved reading it, but after I had finished three paragraphs it dawned on me that it had nothing to do with Bobby Vinton and I couldn’t use any of it.  I probably should have also stopped myself before referencing the Ayatollah Khomeini in last week’s entry on Wayne Newton.

The creators of “Convention ‘72” understood that it’s the introspection and self-editing that makes comedy writing so tedious, so they decided to skip that step.  They kept all of their material whether it was funny or not, and dwelled on some of it for far too long.  One bit, in particular, was driven into the ground:  the running joke about a horny Henry Kissinger galloping around the convention site while muttering “gotta find a woman, gotta find a woman.”  We all know that Mr. Kissinger was quite a ladies’ man.  He was a lot more popular with Hollywood starlets than he was with, say, Cambodian villagers.  But this snippet of the Jimmy Castor Bunch’s “Troglodyte (Cave Man)” wasn’t especially amusing the first time it appeared in “Convention ‘72”, and it didn’t need to resurface twice more – along with three other samples from the same godforsaken song.  The “gotta find a woman” line would have worked much better if used ironically by a political figure who no one expects to be chasing women.  However, I don’t know who the 1972 equivalent of Lindsey Graham might have been.

Incidentally, all of the “Troglodyte” samples were used without obtaining prior consent from Jimmy Castor.  Shortly after “Convention ‘72” was released, the members of the Delegates were heard muttering “gotta find a lawyer, gotta find a lawyer.”

Much of the rest of the material focuses on the choice of vice presidential running mates.  This is like someone releasing a similar record in 2016 and devoting 60% of it to those two bland slabs of Oreo filling known as Mike Pence and Tim Kaine.  Meanwhile, “Convention ‘72” leaves other potentially humorous topics untouched.  There are no lines about Ted Kennedy’s amphibious driving habits, the strange burglary at the Democrats’ headquarters in the Watergate complex, or Nixon’s fondness of pouring ketchup on his cottage cheese.  And McGovern’s wacko proposals, which were dictating the entire course of the election, go unaddressed by the Delegates like the proverbial elephant (or donkey) in the room.  This record should have concluded with the liberal hippie senator offering Nixon a joint, and the two of them smoking it together while singing “One Toke Over the Line”.

The “break-in” format serves as a handicap to novelty music writers, as it limits them to jokes based on recent hit songs.  It’s as if I committed to writing this post without using the letter “a”, or insisted on making each sentence a palindrome.  The Delegates were unable to tease McGovern for his love of abortion because there were no major singles from 1971 or 1972 with lyrics that were relevant to this topic.  It had been way too many years since the Drifters were on the charts with “There Goes My Baby”.

There is only one moment in this song that gives me a snicker:  when one of the reporters is introduced as “David Stinkley”.  But maybe the other jokes were funny to people in 1972.  This generation was taught to laugh upon hearing “Ahab, the Arab” and the phrase “Sock it to me.”  The standards for humor were pretty low.

My rating:  2 / 10

Tuesday, September 2, 2025

“Daddy Don’t You Walk So Fast” by Wayne Newton (1972, #4)

One person’s view:  “I don’t think Sinatra could have saved this turkey.” – hanspostcard @ slicethelife

The public’s view2.05 / 5.00

There are few things that can boost a city’s civic pride and tourism appeal like an association with an amazing musician.  San Antonio was once known mainly for a tired old fort, but today’s visitors are more interested in seeing the high school that Christopher Cross attended.  Columbia, South Carolina will someday honor its hometown heroes Hootie & the Blowfish in the way that South Carolina honors everything:  by erecting a statue of a Confederate general at the spot where the band formed.  And can you imagine what Las Vegas would be like if Wayne Newton had never existed?  It would be little more than an I-15 truck stop with twenty gas pumps, a couple of slot machines, and one bedraggled hooker.

The 83-year-old Newton has done over 30,000 concerts in Vegas, and continues his residency at the Flamingo even as he mysteriously morphs into a wax mannequin.  This is an impressive streak, but I should mention that Vegas shows aren’t always known for their tight quality control.  If you’re going to screw up as a performer you should always try to do it in front of tired drunks who are thinking more about how to recoup their gambling losses than they are about your inadequacies.  I recall seeing a well-known magician on the Strip in the 1990s.  The show began badly, with dancers tripping on a coat hanger that had accidentally been left on the stage.  Then, having neglected to load up on alcohol beforehand, I could easily discern how several of the illusions were accomplished.  Imperfectly aligned mirrors were used to conceal parts of the set, objects “levitated” with the aid of wires that glinted in the light, and the star employed a body double who looked more like a step-cousin than an identical twin.  It was the most unconvincing magic act I’ve witnessed – and I’ve seen cruise ship magicians.

Wayne Newton’s Vegas shows are still widely praised, but recent reviews suggest that his voice might no longer pass quality control.  As a young man he was capable of an oddly high pitch, leading many listeners to erroneously assume that tunes such as “Danke Schoen” were performed by a schoolmarm.  Eventually he grew a wisp of a mustache, and this caused his voice to deepen to match his more masculine appearance.  He was no longer as distinctive of a singer, but was still a hard-working and highly talented lounge act.  Today he is in the third and possibly final phase of his career, and his concerts rely more heavily on crowd interactions and storytelling than on his legendary pipes.  I suppose we can forgive Newton if his larynx is showing signs of wear and tear after 30,000 shows.  A man’s vocal abilities might also suffer if he were to inject his facial muscles with enough Botox to take the wrinkles out of a shar-pei.  There is absolutely no proof that Newton has undergone cosmetic procedures, however, and I refuse to entertain any scurrilous rumors of that nature.

“Daddy Don’t You Walk So Fast” came along as Newton was turning 30 and his voice was in the latter stages of adolescence.  The song is about a guy attempting to flee his wife, who is evidently an unmitigated horror to live with.  His escape is thwarted when his manipulative young daughter guilts him into staying in the oppressive marriage for her own selfish reasons.  And yet, some folks inexplicably describe this as a heart-warming ditty with a happy ending.  These people also think that “The Wreck of the Edmund Fitzgerald” depicts a pleasant and relaxing day of boating.

Despite the maudlin subject matter and the morose lyrics, the singing and musicianship is so proficient that it’s impossible for me to thoroughly hate this record.  The piano accompaniment is nice, and I especially like the second chorus when Newton does his own thing and wanders away from the orchestra for a moment.  Good for him.  The Mafia, however, was apparently not a fan of Newton’s performance and later threatened to kill him.  That seems like a bit of an overreaction.  I would have loved to hear how the mobsters reached that decision:

Mr. Gravano:  This meeting of the Italian-American Nontraditional Commerce Society shall come to order.  Thank you for your attendance here at the Hoboken Hilton.  First on the agenda is a proposal to purchase asphalt footwear for Wayne Newton as a token of our appreciation for “Daddy Don’t You Walk So Fast”.

Mr. Gotti:  So I guess we’re music critics now?  Maybe we should sell our high-interest loan venture and start a stupid blog about top ten hits.

Mr. Khomeini:  Speaking of music, I’d like to put a fatwa on Donny Osmond.  Go Away Little Girl” offends Allah, as well as everyone else.

Mr. Gotti:  You’re in the wrong place, pal.  Ayatollahs Anonymous is in Conference Room D.

Mr. Gravano:  Hey, wait a minute.  Beardy-face here is the one who took all the bacon at the breakfast bar this morning.  Maybe our Iranian friend would enjoy a refreshing swim in Lake Mead with Mr. Las Vegas?

Mr. Khomeini:  I would like that very much.  The hospitality in this country is as amazing as the bacon.  Long live America!

My rating:  4 / 10